Innovation & chaos ... in search of optimality

Month

September 2010

36 posts

Mihimihi: Where do you come from, Peter John Mellalieu?

Ko Ruapehu te maunga
Ko Waikato te awa
Ko Huguenot te iwi
Ko Geering te rangatira
Ko Mellalieu te hapū
Ko Pukawa te marae
Ko Boeing te waka
Ko Jean-Pierre ahau

My personal mihimihi first presented to introduce my graduation address (Korero te puawaitanga) ‘Our graduation is a landmark in our journey towards building our wealth and caring for our environment’, Te Wananga a Aotearoa,  Tamaki Makaurau Graduation 2009.

Ruapehu is my mountain
Waikato is my river
Huguenot is my tribe
Geering is my [thought] leader
Mellalieu is my family
Pukawa is my village
Boeing is my mode of transport [to Aotearoa New Zealand]
I stand before you: Peter John

Western ‘equivalence’ statement:

Peter J. MELLALIEU, PhD, BTech(Hons), MPubPol, teaches strategy, innovation, and new venture development at Unitec Institute of Technology.

Having emigrated from the United Kingdom in the mid-1960s Peter grew up in the Waikato, later studying biotechnology and industrial engineering management at Massey University (Manawatu).

Following work as an agribusiness applied mathematician in Wellington, he worked as a software programmer in a new venture CAD/CAM systems company in Belgium, close to his family’s 17th century roots as a Protestant silk-weaver in northern France.

Returning to the Manawatu in 1987, he commenced a teaching career at Massey University from where he spent many happy hours walking, sailing, and skiing with family,  friends, and students on Mt Ruapehu and Pukawa, Lake Taupo.

In 2000, he organised a conference on the theme of strategies for sustainability and success in which he engaged thought leader theologian Lloyd Geering as keynote speaker.

Lloyd Geering: thought leader

Geering, L. (2000). Taking our Bearings in 2000 AD. In Strategies for Sustainability and Success: The Role and Impact of Strategic Thinking in the Development of Sustainable Enterprise (Vol. 8). Presented at the Proceedings of the 8th Annual Educators Conference of the New Zealand Strategic Management Society, Christchurch, N.Z.: New Zealand Strategic Management Society. Retrieved from http://web.mac.com/petermellalieu/NZSMS/Publications/Entries/2000/2/3_Lloyd_GEERING%3A_Taking_our_Bearings_in_2000_AD.html

Graduation address

Mellalieu, P. J. (2009, May 14). Our graduation is a landmark in our journey towards building our wealth and caring for our environment. Graduation address/Korero te puawaitanga, Tamaki Makaurau Graduation 2009, Te Wananga a Aotearoa, Malaeola Community Centre, Mangere, Manakau City. Retrieved from http://web.mac.com/petermellalieu/Teacher/Examples/Entries/2009/5/14_Graduation_speech%3A_a_landmark_in_our_journey_towards_building_our_wealth_and_caring_for_our_environment.html



Sep 29, 20101 note
#mihi #whakapapa #genealogy #mellalieu #Mellalieu #mihimihi #Waikato Region #Lake Taupo #Massey University #Palmerston North #France #Manawatu #New Zealand
Whakapapa Mellalieu: The genealogy and history of the Mellalieu family

Two years ago I studied Iwi Environmental Management at Te Wananga a Aotearoa. My motivation  was to improve my undertstanding of development and sustainability issues relating to the indigenous people of Aotearoa New Zealand, the Maori.

As part of the course, students were required to produce and present their whakapapa: the history of their family’s origins and development.Knowledge of one’s whakapapa is an essential part of one’s identity as a Maori. Perhaps the most polite question you can ask a stranger in New Zealand is “where do you come from?”. Increasingly, other migrants to New Zealand are researching their personal whakapapa.

Today, I recieved notice that my cousin had obtained an heraldic coat of alms, ostensibly from Normandy, north-west France, dated 1696. This information conflicted with my own research that identified our family as refugee protestants who had migrated to England from the French town of Malaloy, near Nancy in north-east France. They arrived in Middleton, Lancashire in 1635 and established a silk-weaving enterprise.

From UK census records, I suspect that the name Mellalieu was newly-created by these refugees from Malaloy in England. The name may never have existed in France.

Accordingly, I have made available to our family the research I conducted as a facebook photo album, as a basis for the family’s further investigation.

If any other Mellalieu-named person wishes to view my research, they can view the photo album of my keynote presentation here:

Mellalieu, P. (2008, May 28). Whakapapa Mellalieu: The geneology and history of the Mellalieu family. Presented in partical fullfilment for the requirtements for the Certificate in Iwi Environmental Management at Te Wananga a Aotearoa, Mangere, Auckland. Retrieved from http://www.facebook.com/album.php?aid=240803&id=735589897&l=0dc68ac5ae

For a sample from my presentation, on tumblr, see here.

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  • Merata Mita: Pioneering Maori film-maker who charted social and political upheaval in New Zealand (independent.co.uk)
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Sep 29, 20101 note
#Indigenous People #France #New Zealand #England #Māori #Mangere #genealogy #Auckland #Lancashire
Sep 29, 2010
#Malaloy #Maleloy #Mallalieu #Mellalieu #mellalieu #whakapapa #genealogy
A month of citations - September 2010

What a bizarre mix of reading has passed through my mynd over the past month! Of course, I haven’t read ALL these items over the month. For instance, I’ve just begun to read Spada’s biography of Streisand.The list is slightly atypical of my usual reading due to my role of organising a concert programme of French art song on Sunday 26 Sept. And in case anyone is wondering, my reading has lead me to reject the notion that the Great Pyramids are evidence of God (or aliens).

Thanks to zotero.org for the citations management system.

allmusic ((( Marguerite Monnot > Biography ))). (n.d.). . Retrieved September 25, 2010, from http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:66bsa9lgi23s~T1

Ambroise Thomas: Biography - Classic Cat. (n.d.). . Retrieved September 9, 2010, from http://www.classiccat.net/thomas_a/biography.php

Apple - Pro - Techniques - Maximize Your Inputs with Aggregate Audio, p. 1. (n.d.). . Retrieved September 15, 2010, from http://www.apple.com/pro/techniques/aggregateaudio/

Apple - Support - Discussions - Your Questions. (n.d.). . Retrieved September 18, 2010, from http://discussions.apple.com/questions.jspa

Archer, J. (1996). The fourth estate. London: HarperCollinsPublishers.  

Ayres, I. (2010, September 1). Is Your University Complying With the New Textbook Law? NYTimes.co. Retrieved September 2, 2010, from http://freakonomics.blogs.nytimes.com/2010/09/01/is-your-university-complying-with-the-new-textbook-law/

Berlioz and Shakespeare. (n.d.). . Retrieved September 25, 2010, from http://home.vicnet.net.au/~bard/Berlioz%20and%20Shakespeare.htm

Bonjour, Suzon!, song for voice & piano (or orchestra): Information from Answers.com. (n.d.). . Retrieved September 9, 2010, from http://www.answers.com/topic/bonjour-suzon-song-for-voice-piano-or-orchestra

Business plan Project and rubric. (n.d.). . Retrieved September 22, 2010, from www.schools.manatee.k12.fl.us/…plan/ent_business_plan_project.doc

BusinessGreen.com Group - UK green professionals Group News | LinkedIn. (n.d.). . Retrieved September 12, 2010, from http://www.linkedin.com/news?viewArticle=&articleID=191444425&gid=1931321&type=news&item=191444425&articleURL=http%3A%2F%2Fwww%2Ebusinessgreen%2Ecom%2Fbusiness-green%2Fnews%2F2269449%2Ftransocean-hits-back-bp-self&urlhash=psYx&goback=%2Egde_1931321_news_191444425

Carr, N. (2010a, August 27). How the Internet is making us stupid. Telegraph. Retrieved September 4, 2010, from http://www.telegraph.co.uk/technology/internet/7967894/How-the-Internet-is-making-us-stupid.html

Carr, N. (2010b). The Shallows: How the Internet is Changing the Way We Think, Read and Remember. Atlantic Books.  

Ce que je suis sans toi (Peyre, set by C. Gounod) (The Lied and Art Song Texts Page: Texts and Translations to Lieder, mélodies, canzoni, and other classical vocal music). (n.d.). . Retrieved September 9, 2010, from http://www.recmusic.org/lieder/get_text.html?TextId=12738

Cornford, C., & Coltman, D. (2009). Unitec Sustainability Framework – Phase 1 - Memo to Leadership team. Unitec Institute of Technology.

Édouard Lalo - Wikipedia, the free encyclopedia. (n.d.). . Retrieved September 25, 2010, from http://en.wikipedia.org/wiki/Lalo

Emerson, L., MacKay, B. R., Funnell, K. A., & MacKay, M. B. (2002). Writing in a New Zealand Tertiary Context: WAC and Action Research. Language and learning across the disciplines, 5(3), 110-133. Retrieved from http://wac.colostate.edu/llad/v5n3/v5n3.pdf#page=112  

Firefox 4 won’t run on PowerPC Macs, Mozilla says. (n.d.). . Retrieved September 16, 2010, from http://www.downloadsquad.com/2010/08/26/firefox-4-wont-run-on-powerpc-macs-mozilla-says/#thankYou

French song from Berlioz to Duparc … - Google Books. (n.d.). . Retrieved September 25, 2010, from http://books.google.co.nz/books?id=ov70_xg3En0C&pg=PA396&lpg=PA396&dq=lalo+L%27aube+na%C3%AEt,+et+ta+porte+est+close!&source=bl&ots=CcVHo7o5Qy&sig=neZnczRvA6IeGK8HnJpHS3gWpjM&hl=en&ei=R5qdTOe4IZG-sAPQs5jWAQ&sa=X&oi=book_result&ct=result&resnum=5&ved=0CCkQ6AEwBA#v=onepage&q=L%27aube%20na%C3%AEt&f=false

Friedman, E. (2008, August 5). Apple TV is the Apple Newton of my generation. Marketing.fm. Retrieved September 2, 2010, from http://www.marketing.fm/2008/08/05/apple-tv-is-the-apple-newton-of-my-generation/

Gabriel Fauré - Wikipedia, the free encyclopedia. (n.d.). . Retrieved September 25, 2010, from http://en.wikipedia.org/wiki/Gabriel_Faur%C3%A9

Gabriel Urbain Fauré (Gabriel Urbain Fauré) - Composers - Cantorion, Sheet music & concert listings for free. (n.d.). . Retrieved September 25, 2010, from http://cantorion.org/composers/178/Gabriel_Urbain_Faur%C3%A9

Google Translate. (n.d.). . Retrieved September 25, 2010, from http://translate.google.co.nz/translate?hl=en&sl=fr&u=http://operacritiques.free.fr/css/index.php%3F2008/04/26/929-a-la-decouverte-de-la-melodie-francaise-parcours-discographique-commente-v-esprit-francais-faure&ei=Z5OdTI-mHoHWtQOQvYnWAQ&sa=X&oi=translate&ct=result&resnum=4&ved=0CCkQ7gEwAzgK&prev=/search%3Fq%3DLes%2Bberceaux%2Bmassenet%2Bwiki%26start%3D10%26hl%3Den%26newwindow%3D1%26safe%3Doff%26client%3Dfirefox-a%26sa%3DN%26rls%3Dorg.mozilla:en-GB:official%26prmdo%3D1

Great Pyramid Proof of God | Odd Books. (n.d.). . Retrieved September 17, 2010, from http://oddbooks.co.uk/oddbooks/riffert.html

Hamilton, F. W. (1918). Word Study and English Grammar: A Primer of Information about Words, Their Relations and Their Uses. Typographic Technical Series for Apprentices, Part VI, No. 32. Chicago: Committee on education, United typothetae of America. Retrieved from http://www.gutenberg.org/ebooks/30036  

Haswell, R. H. (1983). Minimal marking. College English, 45(6), 600-604. Retrieved from http://www.google.co.nz/url?sa=t&source=web&cd=1&ved=0CBQQFjAA&url=http%3A%2F%2Fusers.ipfw.edu%2Fwellerw%2Fminimal_marking.pdf&ei=uMmNTKKNMYXfceqd6ZgE&usg=AFQjCNHWruG3HqdrPpSI-TYaMHRN_TShPQ&sig2=iaBVfx_5uNalrJpIRx-YAA  

History of geodesy - Wikipedia, the free encyclopedia. (n.d.). . Retrieved September 18, 2010, from http://en.wikipedia.org/wiki/History_of_geodesy

Is the CPU on the iMac G5 upgradable? How do you upgrade the RAM in the iMac G5 models? How do you upgrade the hard drive? @ EveryMac.com. (n.d.). . Retrieved September 16, 2010, from http://www.everymac.com/systems/apple/imac/faq_g5/imac-g5-processor-upgrade-ram-and-hard-drive-upgrade-pci-slots.html

JSTOR: The Musical Times, Vol. 61, No. 927 (May 1, 1920), pp. 302-305. (n.d.). . Retrieved September 25, 2010, from http://www.jstor.org/pss/909930

La mort d’Ophélie, H 92 (Berlioz, Hector) - IMSLP. (n.d.). . Retrieved September 25, 2010, from http://imslp.org/wiki/La_mort_d%27Oph%C3%A9lie,_H_92_(Berlioz,_Hector)

Les Inrocks : Charles Trenet - “Trenet, ni mort ni juif”. (n.d.). . Retrieved September 25, 2010, from http://www.lesinrocks.com/musique/musique-article/article/charles-trenet-trenet-ni-mort-ni-juif/

Mantle, J. (1989). Fanfare: The unauthorised biography of Andrew Lloyd Webber. London, UK: Michael Joseph.  

Mellalieu, P. (2010, September 6). A history of environmental sustainable development (ESD) at Unitec Institute of Technology. Unitec Institute of Technology.

Mellalieu, P. J. (2010a, August 22). Matangi Dairy Factory, New Zealand Dairy Group. Innovation & chaos … in search of l’excellence. Retrieved September 8, 2010, from http://pogus.tumblr.com/post/990000387/matangi

Mellalieu, P. J. (2010b, September 2). My first-year university experience: a white-booted techie. Innovation & chaos … in search of l’excellence. Retrieved September 8, 2010, from http://pogus.tumblr.com/post/1051138866/my-first-year-university-experience-a-white-booted

Mellalieu, P. J. (2010c, September 18). French Art Songs - Les Melodies Françaises. Mynstrel: A song maker in Aotearoa. Retrieved September 18, 2010, from http://mynstrel.blogspot.com/2010/09/french-art-songs-les-chansons-francaise.html

Mellalieu, P. J. (2010d, September 22). Feedback on a written case study assignment in first year (freshman) tertiary students. Innovation & chaos … in search of l’excellence. Retrieved September 22, 2010, from http://pogus.tumblr.com/post/1165321952/feedback-on-a-written-case-study-assignment-in-first

Mellalieu, P. J. (2010e, September 26). Les Mélodies Françaises (French Art Songs) - Programme Notes. Mynstrel: A song maker in Aotearoa. Retrieved September 27, 2010, from http://mynstrel.blogspot.com/2010/09/les-melodies-francaises-french-art.html

Mellalieu, P. J. (2010f). Smoothing seasonal resource supply in land-based industries: Economic and technical impacts of ‘smoothing the flush’ in New Zealand dairy milk production and processing. In Unitec Teaching, Learning and Research Symposium. Auckland, NZ: Unitec Institute of Technology.

Mélodie - Wikipedia, the free encyclopedia. (n.d.). . Retrieved September 25, 2010, from http://en.wikipedia.org/wiki/M%C3%A9lodie

Midnight Oil Books. (n.d.). . Retrieved September 17, 2010, from http://www.midnightoilbooks.com/books_by_cat.php?id=6

Mignon (Thomas) - Synopsis. (n.d.). . Retrieved September 9, 2010, from http://www.musicwithease.com/thomas-mignon-synopsis.html

Mohr, T. (2010a, September 22). 10 rules for brilliant women. Wise Living Blog. Retrieved September 24, 2010, from http://wiselivingblog.com/

Mohr, T. (2010b, September 22). How To Get Out Of Your Business Comfort Zone. Productive flourishing. Retrieved September 24, 2010, from http://www.productiveflourishing.com/how-to-get-out-of-your-business-comfort-zone/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+ProductiveFlourishing+%28Productive+Flourishing%29#utm_source=feed&utm_medium=feed&utm_campaign=feed

Mohr, T., & Stillman, J. (2010, September 23). 3 Ways to Break Out of a Career Rut. BNET. Retrieved September 24, 2010, from http://www.bnet.com/blog/entry-level/3-ways-to-break-out-of-a-career-rut/3187?promo=713&tag=nl.e713

My MIDI files. (n.d.). . Retrieved September 4, 2010, from http://mymidifiles.canalblog.com/

On-Stage CM01 at zZounds. (n.d.). . Retrieved September 23, 2010, from http://www.zzounds.com/item—MUPCM01

On-Stage CM01 Fully adjustable adaptor enables you to mount almost any camera/video camera to a mic stand. Microphone Stands and Accessories Microphone Stand Accessories 49089 OSS CM01 CAMERA MOUNT ADAPTER UPC 659814490899 - On-Stage AHN2B to IC15. (n.d.). . Retrieved September 23, 2010, from http://www.aiconsol.com/cm01-on-stage.html

Paul Bourget - Wikipedia, the free encyclopedia. (n.d.). . Retrieved September 11, 2010, from http://en.wikipedia.org/wiki/Paul_Bourget

Piven, J., Borgenicht, D., Worick, J., & Brown, B. (2004). Worst-Case Scenario Survival Handbook: College. Retrieved from http://www.amazon.com/Worst-Case-Scenario-Survival-Handbook-College/dp/B000977UMK#reader_B000977UMK  

PPC Macs ‘likely’ to be unsupported by Firefox 4. (n.d.). . Retrieved September 16, 2010, from http://www.tuaw.com/2010/08/26/ppc-macs-likely-to-be-unsupported-by-firefox-4/

Quotes by Coach Thomas Leonard « Thomas Leonard Photos’s Blog. (n.d.). . Retrieved September 12, 2010, from http://thomasleonardphotos.wordpress.com/quotes-by-coach-thomas-leonard/

ResearchOutputTypesEvidenceGuidev1.pdf. (n.d.). . Retrieved from http://unitec.roms.intuto.com/App_Themes/Unitec/docs/ResearchOutputTypesEvidenceGuidev1.pdf

ResearchOutputTypesQuickReferenceGuidev1.pdf. (n.d.). . Retrieved from http://unitec.roms.intuto.com/App_Themes/Unitec/docs/ResearchOutputTypesQuickReferenceGuidev1.pdf

RIFFERT - Great pyramid proof of god.pdf. (n.d.). .

Riffert, G. R. (2005). Great Pyramid Proof of God. Kessinger Publishing, LLC.  

ROMS - Research Output Management System. (n.d.). Unitec. Retrieved September 8, 2010, from http://unitec.roms.intuto.com/References/MyReferences

Schumpeter. (2010, September 2). Declining by degree: Will America’s universities go the way of its car companies? The Economist. Retrieved September 12, 2010, from http://www.economist.com/node/16941775?story_id=16941775&fsrc=nlw|mgt|09-08-2010|management_thinking

Sobaskie, J. W. (2003). Salons, Singers and Songs: A Background to Romantic French Song, 1830-1870 (review). Notes, 59(4), 909-910. doi:10.1353/not.2003.0079  

Sony kicks off Open Planet Initiative -
Designers invited to submit ideas detailing how technologies could be repurposed to tackle environmental problems. (2010, September 10). BusinessGreen.com. Retrieved September 12, 2010, from http://www.linkedin.com/news?viewArticle=&articleID=192897673&gid=1931321&type=news&item=192897673&articleURL=http%3A%2F%2Fwww%2Ebusinessgreen%2Ecom%2Fbusiness-green%2Fnews%2F2269586%2Fsony-kicks-open-planet&urlhash=ia3u&goback=%2Egde_1931321_news_192897673

Spada, J. (1981). Streisand: The Woman and the Legend (1st ed.). Doubleday.  

TGS HiddenMysteries :: Ancient Mysteries :: Pyramids :: Great Pyramid Proof of God. (n.d.). . Retrieved September 17, 2010, from http://hiddenmysteries.com/xcart/product.php?printable=Y&productid=18057&cat=412&page=2

The Great Pyramid. (n.d.). . Retrieved September 17, 2010, from http://www.rdrop.com/~jsexton/pyramid/

The Great Pyramid: Proof of God (or Aliens) - DFWstangs Forums. (n.d.). . Retrieved September 17, 2010, from http://www.dfwstangs.net/forums/showthread.php?t=348389

Tunley, D. (2002). Salons, Singers and Songs: A Background to Romantic French Song 1830-1870. University of Western Australia.  

Sep 28, 2010
#talent #learning #input #scholarship #research #zotero #citation #reading
“

I coach brilliant women, lots of them. Dedicated, talented, brilliant women. Most of the time, they don’t know their brilliance. They are certain they “aren’t ready” to take on that next bigger role. They are more attuned to the ways they aren’t qualified than to the ways that they are. They are waiting for someone to validate, promote or discover them. Sound familiar? It’s time to step up, brilliant women. Here are ten principles for owning your brilliance and bringing it to the world:

1. Make a pact. No one else is going to build the life you want for you. No one else will even be able to completely understand it. The most amazing souls will show up to cheer you on along the way, but this is your game. Make a pact to be in it with yourself for the long haul, as your own supportive friend at every step along the way.

2. Imagine it. [… more…]

3. Gasp.

4. Get a thick skin.

5. Be an arrogant idiot.

6. Question the voice that says “I’m not ready yet.”

7. Don’t wait for your Oscar.

8. Filter advice.

9. Recover and restore.

10. Let other women know they are brilliant.

”
—

Wise Living Blog

Mohr, T. (2010, September 22). 10 rules for brilliant women. Wise Living Blog. Retrieved September 24, 2010, from http://wiselivingblog.com/

…. and now I’m going to send this to the ten women I think are most brilliant. Plus my students.

Sep 24, 2010
“When I launched my business last year, my neurological and physiological systems went into high alert. The adrenalin flowed, day in and day out. My fear-meter was on high. Every day involved doing at least a dozen things outside of my comfort zone, things I had never done before: Ask for an introduction to so and so. Talk with a literary agent about my work. Compete for coaching gigs, for significant money.
That was April 2010. Now we’re in September. Here’s what I’ve noticed: I’ve gotten stuck in a business comfort zone.That worries me, because I know when we are doing our real deal, when we are listening to the voice within that’s whispering to us about what we really should go do next, when we are really stepping to what we are called to do, it isn’t cozy. It requires leaping. It involves shaking up the status quo. It requires challenging the inner critic so you can find out just how wrong the inner critic is.”
—

How To Get Out Of Your Business Comfort Zone

Mohr, T. (2010, September 22). How To Get Out Of Your Business Comfort Zone. Productive flourishing. Retrieved September 24, 2010, from http://www.productiveflourishing.com/how-to-get-out-of-your-business-comfort-zone/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+ProductiveFlourishing+%28Productive+Flourishing%29#utm_source=feed&utm_medium=feed&utm_campaign=feed

Mohr, T., & Stillman, J. (2010, September 23). 3 Ways to Break Out of a Career Rut. BNET. Retrieved September 24, 2010, from http://www.bnet.com/blog/entry-level/3-ways-to-break-out-of-a-career-rut/3187?promo=713&tag=nl.e713

Sep 24, 2010
Sep 23, 2010
#Dairy farming #Historical #IBM #Operations research #Personal computer #Tektronix #Victoria University of Wellington #Doctor of Philosophy #Programming language #BASIC
“

The Paragraph

The proper construction of paragraphs is also of great importance. The following rules will serve as guides for paragraphing. They should be learned and the pupil should be drilled in their application.

1. A sentence which continues the topic of the sentence which precedes it rather than introduces a new topic should never begin a paragraph.

2. Each paragraph should possess a single central topic to which all the statements in the paragraph should relate. The introduction of a single statement not so related to the central topic violates the unity.

3. A sentence or short passage may be detached from the paragraph to which it properly belongs if the writer wishes particularly to emphasize it.

4. For ease in reading, a passage which exceeds three hundred words in length may be broken into two paragraphs, even though no new topic has been developed.

5. Any digression from the central topic, or any change in the viewpoint in considering the central topic, demands a new paragraph.

6. Coherence in a paragraph requires a natural and logical order of development.

7. Smoothness of diction in a paragraph calls for the intelligent use of proper connective words between closely related sentences. A common fault, however, is the incorrect use of such words as _and_ or _but_ between sentences which are not closely related.

8. In developing the paragraph, emphasis is secured by a careful consideration of the relative values of the ideas expressed, giving to each idea space proportionate to its importance to the whole. This secures the proper climax.

9. The paragraph, like the composition itself, should possess clearness, unity, coherence, and emphasis. It is a group of related sentences developing a central topic. Its length depends upon the length of the composition and upon the number of topics to be discussed.

”
—Hamilton, F. W. (1918). Word Study and English Grammar: A Primer of Information about Words, Their Relations and Their Uses. Typographic Technical Series for Apprentices, Part VI, No. 32. Chicago: Committee on education, United typothetae of America. Retrieved from http://www.gutenberg.org/ebooks/30036 
Sep 22, 2010
#writing #paragraph
“Word study and English Grammar are important to the young printer for several reasons. In the first place, disregard of the correct use and combination of words is a distinct mark of inferiority and a serious bar to business and social advancement. A man’s use of words is commonly taken as a measure of his knowledge and even of his intelligence. Carelessness in this regard often causes a man to be held in much less esteem than he really deserves.” —Hamilton, F. W. (1918). Word Study and English Grammar: A Primer of Information about Words, Their Relations and Their Uses. Typographic Technical Series for Apprentices, Part VI, No. 32. Chicago: Committee on education, United typothetae of America. Retrieved from http://www.gutenberg.org/ebooks/30036 
Sep 22, 2010
#writing #grammar
Feedback on a written case study assignment in first year (freshman) tertiary students

 This feedback shows how I use the full gamut of possible grades for a student assignment.

The context for my approach to first year (freshman) teaching is here.

The assignment is a written case study, detailed here.

I keep the grade associated with writing quality separate from the grade awarded to content so that I can explore statistical correlations … This feature warns my students to put effort into improving their writing quality.

The students had submitted a draft of 1/4 of their assignment earlier in the semester. I provided them with feedback on the quality of their writing at that point, so that they saw my standard of assessment, and could begin to take remedial steps if necessary.

Statistics:
Assignment 1 (combined result of all components)

  • Min   5/100
  • Max   100/100
  • Average   59.6
  • Std Dev   30
  • Assignments submitted   41

Comment

  • The grades were spread over the full range, from 5/100 to 100.
  • Eight students gained grades of 90 to 100 = 20 % of submissions
  • A mark of less than 24/30 (x-axis) required the students to rewrite their assignment, according my implementation of the Haswell Minimal Marking Policy instituted in the course. No additional marks are given to the resubmitted assignment…. The student gets zero if they fail to resubmit to an appropriate standard.

Writing quality

  • Students exceeding writing quality standard = 32% (25 to 30/30)
  • Students on borderline = 29 % (grade = 24/30) (I was generous to those just below the 24/30 resubmit threshold)
  • Students failing the writing quality standard 39 % ( grade less than 24/30)
  • ALL students who achieved a writing quality of 25/30 or more gained an overall grade of 80 or higher. (See Graph 1)
  • If a student’s writing quality was less than 24/30, then their expected grade (statistically) is 35/95, ranging between 10 and 70

Implication:

  • Inadequate writing quality is likely to lead to a fail grade for the assignment.
  • It is worth your while to improve your writing quality to improve the chance you get a top grade for your work.


Graph 1: Higher writing quality (x) is associated with higher overall grades (y)


Note:

  • The y axis EXCLUDES the component of the grade related to writing quality
  • Correlation r-squared = 40 per cent

Haswell, R. H. (1983). Minimal marking. College English, 45(6), 600-604.  http://www.google.co.nz/url?sa=t&source=web&cd=1&ved=0CBQQFjAA&url=http%3A%2F%2Fusers.ipfw.edu%2Fwellerw%2Fminimal_marking.pdf&ei=uMmNTKKNMYXfceqd6ZgE&usg=AFQjCNHWruG3HqdrPpSI-TYaMHRN_TShPQ&sig2=iaBVfx_5uNalrJpIRx-YAA

Mellalieu, P. J. (2010, August 21). Course Handbook and Syllabus Unitec BSNS 5391 Innovation and Entrepreneurship. Scribd. Retrieved August 21, 2010, from http://www.scribd.com/doc/36191676/Course-Handbook-and-Syllabus-Unitec-BSNS-5391-Innovation-and-Entrepreneurship


Sep 21, 2010
#BSNS 5391 #Haswell minimal marking #feedback #writing quality #freshman
New Zealand Leadership Pathway → leadership.rsnz.org

Excellent examples of business entrepreneurs and leaders from New Zealand.

Sep 21, 2010
French Art Songs - Les Chansons Française → mynstrel.blogspot.com

A concert I am organising for the Auckland Lieder Group Inc, Sunday 26 September.

The September meeting of the Auckland Lieder Group takes the theme of Les Chansons Française (French Art Song).

The programme includes songs by Debussy, Faure, Berlioz, Delibes, Gounod, Ambroise Thomas, and Eduard Lalo.

Sep 17, 2010
Sep 17, 2010
Sep 17, 2010
#iPad #reflection
My teaching strategy for first-year courses

My overall teaching philosophy (here) underpins my approach to the teaching of students in first-year courses.

I have particular aims for students who are engaged in their first year of studies at a tertiary institution. My comments are specifically focussed on students entering a three year bachelors programme.

My aims are

  • Establish expectations for the requirements for academic success when considered over students’ three-year programme
  • Provide foundation stones and scaffolds useful for future studies
  • Help students identify their strengths, interests, and goals for their tertiary study
  • Help students develop a personal learning agenda for how they will orchestrate their studies beyond my class
  • Help students build interpersonal networks of support with peer and senior students

I will discuss each of the foregoing aims with respect to my first-year course Unitec BSNS 5391 Innovation and Entrepreneurship. The course handbook for students is here. A particular feature of the course is that the student body includes a mix of:

  • New entrants to the tertiary education system
  • Students who have deferred studtying the course until later in their studies - they may have studied second or third year courses
  • International exchange students who are attending my institution for one semester
  • Students from other faculties who are studying the course as an elective

Establish expectations for the requirements for academic success when considered over their three-year programme

In my experience, about 1/3 of students reach the final year of their undergraduate studies with writing skills that are professionally unacceptable. A further 1/3 of students would certainly enhance their employment prospects if their writing skills were improved. Accordingly, I use a armoury of techniques - both carrot and stick - to emphasise to students the importance of improving their writing quality.

One of my ‘sticks’ is the use of Haswell’s Minimal Marking strategy (Haswell, 1983). Specifically, students receive no marks for a submitted assignment until they have rewritten the assignment to meet the required writing standard. I use a six-point writing rubric to help students understand the strengths and weaknesses of their writing quality.

In practice, a student submits an assignment, I assign a provisional grade, I also assess the writing quality. If the writing quality is acceptable, the student is credited with the provisional grade. If the writing quality is unacceptable, the student must rewrite to an acceptable level. Following a succesful rewrite, the student earns their original, provisional grade. No additional marks are allocated. Most students accept that this is a tough, but realistic regime as it encourages them to get their writing correct first time.

I am one of a rare number of staff at my institution who implement this policy. I implement the policy gently through a quasi-formative assessment event prior to the submission of the completed assignment. Specifically, the students submit 1/4 of their final assessment, and I assess their work solely using the writing assessment rubric so that they get advance feedback of what might result from my assessment of their final submission. The students proceed to complete and submit the entire assignment, rewriting the first 1/4 should they wish. Both elements of assessment recieve a credit to the final grade.

I provide a basic reminder of paragraph structure, the five-paragraph persuasive essay, and an introduction to the principles of Global English (McAlpine; Mellalieu (2007)). Furthermore, I encourage students to make use of coaching courses available elsewhere through the institution

Provide foundation stones and scaffolds useful for future studies

Two elements of business school education are perennial: the case study and the executive report. These elements certainly have their strengths and limitations, but they are ubiquitous.

I introduce students to these two elements in a high structured and progressive manner. Students read and analyse a case using a structured sequence of about twelve questions. The questions progress towards requiring the student to summarise in writing the issues facing the case organisation, and outlining recommendations for responding to the issues. I explain the importance of considering alternatives, and justifying choices and recommendations on the basis of criteria such as financial growth, market growth, importance and urgency, and the likelihood of success in fixing a problem.

I ensure that the preceding questions cover a variety of tasks that lead the student to understand the company and its milieu. Some questions are deliberately easy. Other questions challenging. I signal in the question the degree of challenge by a one to three star system. Typically, the questions I design require the student to:

  • Describe what and explain has been read in the case (easy)
  • Define and illustrate important technical terms (moderate)
  • Demonstrate understanding of productive and/or unproductive practices conducted by the organisation (more challenging)
  • Compare and contrast practices implemented by the case company with those discussed in the course textbook (more challenging - especially to those students who do not posess access to a textbook!)

I require that students report their answers in an executive report format with Executive Summary, Introduction, Main Body, and Conclusions and Recommendations. I signal in the assessment rubric which questions go where in the report. Furthermore, I provide a scaffold of the structure of an Executive Summary. The scaffold is designed to match the structure suggested by a textbook (Turner et al, 20o9) on academic skills, and includes: Overview, Purpose, Scope, Findings, and Recommendations. The scaffold I provide is virtually half-written, so that students merely fill in the gaps with what they find! I provide this generous scaffold because I find many students confuse an Executive Summary with an Introduction.

In a future postings, I will discuss

  • Help students identify their strengths, interests, and goals for their tertiary study
  • Help students develop a personal learning agenda for how they will orchestrate their studies beyond my class
  • Help students build interpersonal networks of support with peer and senior students

Haswell, R. H. (1983). Minimal marking. College English, 45(6), 600-604. Retrieved from http://www.google.co.nz/url?sa=t&source=web&cd=1&ved=0CBQQFjAA&url=http%3A%2F%2Fusers.ipfw.edu%2Fwellerw%2Fminimal_marking.pdf&ei=uMmNTKKNMYXfceqd6ZgE&usg=AFQjCNHWruG3HqdrPpSI-TYaMHRN_TShPQ&sig2=iaBVfx_5uNalrJpIRx-YAA   

McAlpine, R. (n.d.). From Plain English to Global English. Quality Web Content. Retrieved August 12, 2009, from http://www.webpagecontent.com/arc_archive/139/5/

Mellalieu, P. J. (2007, July 3). Let’s all learn and teach Global English in our business schools! Retrieved October 11, 2009, from http://web.mac.com/petermellalieu/Teacher/Blog/Entries/2007/7/3_Let%E2%80%99s_all_Learn_and_Teach_Global_English_in_our_Business_School!.html

Mellalieu, P. J. (2008). Writing to learn argument and persuasion: A ‘Trojan Horse’ for promoting the adoption of ‘Writing Across the Curriculum’ (WAC) principles (Working paper). Auckland, NZ: Unitec New Zealand Centre for Innovation & Entrepreneurship. Retrieved from http://web.mac.com/petermellalieu/Teacher/Blog/Entries/2008/7/31_Writing_to_learn_argument_and_persuasion%3A_A_Trojan_Horse_for_promoting_the_adoption_of_Writing_Across_the_Curriculum_(WAC)_principles.html

Turner, K., Ireland, L., Krenus, B., & Pointon, L. (2009). Essential Academic Skills. Retrieved from http://www.oup.com.au/titles/higher_ed/media_studies/9780195568363   


Sep 13, 20101 note
#Higher education #Business school #Undergraduate education #How to Study #Global English #minimal marking #rubric #writing
“

The first recording of Joseph and the Technicolor Dreamcoat

The combined performers, orchestra, and choir nearly outnumbered the audience of the Central Hall performance of Joseph and the Technicolor Dreamcoat. But there were two journalists in the audience - Peter Coles of the Evening News, and Derek Jewell of the Sunday Times…. [the latter a parents of a child in the Colet Court School].

… Jewell’s unexpected review appeared the following weekend in the Sunday Times of 19 May 1968. Scenes of jubilation broke out at Gledhow Gardens and Harrington Court [the homes of Rice and Lloyd Webber] …

… For the privilege of having Joseph imortalised on vinyl by the self-styled ‘Greatest Recording Organisation of the World’ [EMI], Andrew and Tim received around 100 pounds each….

… None of them was under any illusion that the Decca recording of Joseph was made because anyone knew what to do with a thirty-minute pop cantata. In record business terms it was simply another commodity bought for stock: recorded at low cost over a short period and scheduled to be released at an unspecified future date….

”
—

Mantle, J. (1989). Fanfare: The unauthorised biography of Andrew Lloyd Webber. London, UK: Michael Joseph.  pp. 46-49

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Sep 13, 2010
#Joseph and the Amazing Technicolor Dreamcoat #Andrew Lloyd Webber #Musical theatre #opportunity
“

Opportunity doesn’t knock; it waits to be invited in.

Opportunities don’t knock, they whisper. So shut up and listen.

”
—Quotes by Coach Thomas Leonard « Thomas Leonard Photos’s Blog
Sep 12, 2010
“Chance favours the prepared mind” —


Image via Wikipedia

Dans les champs de l’observation le hasard ne favorise que les esprits préparés.

In the fields of observation chance favors only the prepared mind.
Louis Pasteur, Lecture, University of Lille (7 December 1854)

http://en.wikiquote.org/wiki/Louis_Pasteur

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Sep 12, 2010
#Louis Pasteur
Sep 12, 2010
“

The genesis of a pop cantata

Dogget had wasted no time in revolutionising the Colet Court [school] choir. Was Andrew remotely interested in writing a piece for them? … something short. A cantata, say, for the boys to sing in the presence of their parents at the end of term concert…

Hammersmith was not quite the Broadway that [Andrew and Tim] had in mind, but given the circumstances and guaranteed audience, if only of bored parents, there was little else they could say.

With a certain amount of prompting from Doggett, they began to chip away:
- It had to be short…
- If it was short, it had to be sharp. Therefore, it had to have a strong story line
- It had to be suitable … for a school that had strong links with St Pauls Cathedral. Might they not consider a religious theme?
- It had to be sung by boys under thirteen years of age. Therefore, it might conceivably concern the same.
- Brothers?

They turned to the Old Testament and the Book of Genesis. Or more precisely, to Tim’s copy of The Wonder Book of Bible Stories.
- Cain and Abel?
- Esau and Jacob?
- Shem, Heth and Japheth?
- Joseph?

“Joseph, a young man of seventeen was tending the flocks with his brothers… when his brothers saw that their father Israel loved Joseph more than any of them, they hated him and could not speak a kind word to him…”

If they had started reading the full text of Genesis 37 they would probably have run out of patience.

That Christmas, they started writing.

”
—

Mantle, J. (1989). Fanfare: The unauthorised biography of Andrew Lloyd Webber. London, UK: Michael Joseph.  pp. 41-42

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  • ‘Joseph,’ led by a former Idol, hums along (boston.com)

Sep 12, 2010
#Andrew Lloyd Webber #creativity #genre #opportunity #rock cantata #rock opera #pop cantata
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