On of the most popular videos I created for my YouTube channel, https://www.youtube.com/user/MyndSurfer?feature=mhee. Over 2100 views of this Lipsync video since November 2010.
Do you find on your TV that people’s lips move after you have heard the words spoken? This is the lip-sync problem. There are several causes, and several solutions. This video demonstrates the lip sync problem and presents a solution based on using a modestly-priced little brown box.
First, I present several experiments that demonstrate the lip sync problem. Next, I show the solution I implemented and a few confirmation checks. After the demonstration I explain why the solution achieves its results.
To conduct the experiments, I replay the same piece of video material from my digital video recorder to the television and stereo amplifier system. A series of figures shows the equipment set-up each time. I positioned a home video camera in front of the TV to record what I see and what I hear. The video image is not great! However, the video image is sufficient to observe the lip sync problem and the effectiveness of the solution.
Why does the solution work? The modern digital TV takes about 200 milliseconds to process the digital data it receives from a signal source, and display the image on the LED screen. The traditional analogue TV appears not to have possessed this delay ‘feature’. Consequently, if you route the traditional analogue sound from your signal source - such as a digital video recorder - to your hi-fi stereo amplifier system, you hear the sound BEFORE the TV has processed and presented the image. 200 milliseconds is ⅕ th of a second. That is a very small time period. However, the problem it caused was noticeable immediately to me when I upgraded from our 1980s vintage television earlier this year. You will see and hear the delay in the demonstration video.
Fortunately, my Samsung digital TV provides an optical digital audio output that is synchronized with the delayed TV image. Consequently, to solve the problem, you must take the digital audio signal from the TV to your hi-fi stereo system. I credit the MySky technician who installed the MySky High Definition digital recorder for that solution strategy.
Unfortunately, my hi-fi is a classic 1980s vintage Denon 500 PMA. It accepts only analogue RCA input cables. Rather than purchase a new digital surround-sound hi-fi system, I wished to retain my vintage legacy system. To the rescue comes a little brown box that converts digital audio signals to analogue RCA. In my case, I purchased an AC1603 Coaxial/Optical to R/L audio converter sourced via TradeMe, but ultimately supplied by Electus Distribution Pty Ltd, NSW Australia, http://www.electusdistribution.com.au. You also require a digital optical cable and an RCA Right and Left channel cable, male-male connectors.
Connect the audio converter between the TV and your hi-fi system. Once you have this system installed, you can reroute your DVD and other audio-video signals to the TV rather than through your hi-fi system. You must route BOTH the audio and video signals to the TV, so that the audio signal is then relayed back to your hi-fi system. You will then achieve better synchronization of audio and video from these additional sources when you play the sound through your hi-fi system.
Italian inventor Bill Marconi established himself in Chelmsford to launch his trans-Atlantic wireless communications enterprise. The exhibits show the evolution of wireless radio signals broadcast from wide-spectrum spark generators, the signal being received by a cat’s whisker tickling a crystal. Subsequent exhibits show television, radar, and my god-parents’ enterprise, infrared engineering.
Marconi chose Chelmsford to launch his enterprise because it had a reliable supply of electricity and skilled technical workers already engaged in manufacturing electrical equipment.
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Bringing ‘reality TV’ into the academy: Introducing Enterprise Masterworks™ for entrepreneurship education
A substantial gap is opening up between business faculties and leading edge business practice. Academics tend to dismiss the innovative struggles of leading edge businesses as faddism. By doing this they fail to recognise that what is often happening is that practising managers are confronting actual, experiential situations and finding that traditional practices no longer work. What seem to be fads are actually people struggling with new situations for which they have inadequate models to help them understand - and they are getting inadequate help from academics at both the research and teaching levels.” (Anna Smith, Business Education Quarterly Review, 1996)
In response to the challenge issued by Smith, I created a university course in innovation, creativity, and entrepreneurship that “practised what it preached”. One unique element in the learning environment was the use of a television production studio to create each “lesson” with the students in the style most closely described today as “reality TV”. The title of the TV programme is: Enterprise MasterWorks™.
Enterprise MasterWorks™ (EMW) is a university-based educational programme that demonstrates a novel approach for developing competencies in entrepreneurship, innovation and creativity.
EMW is framed as a start-up small-medium enterprise (SME), staffed mainly by students of enterprise development. The EMW ‘company’ produces two products: (a) purpose-designed learning adventures, and (b) video training packages based around the competency requirements for creating efficacious entrepreneurs and innovators, science and technology managers, SME consultants and trainers, and SME managers.
Each episode of EMW is realised as an “as live-to-air master class and workshop”. In practice, each episode is a high-energy learning adventure that takes place in a television studio. A typical 160 minute episode includes: a workshop briefing from a guest “master” (such as an SME manager); an interview and fish bowl discussion with students; video inserts profiling the guest’s enterprise; a team-taught practical workshop; reflective insights; and learning connections to relevant theory and “masterful” entrepreneurial practice.
The EMW ‘reality-TV’ format results in a weaving together of the strengths of both academic thinking and good management practice, focussed directly on the personal and professional development interests of the programme participants: the students.
Historical note:
The EMW approach to teaching was a ‘skunkworks’ innovation project run ‘under the radar’ for three years and 30 episodes at Massey University between 1998 and 2000. The TV studio used analog equipment purchased in the late 1980s. This is one reason for the use of brown paper instead of whiteboards - to avoid camera flare!
The full paper
Mellalieu, P. J. (2009, July 1). Case study: An engaging user-centred learning environment designed for innovators, creators, and entrepreneurs: Enterprise MasterWorks. User-centred learning for enterprise. Retrieved July 4, 2009, from http://web.mac.com/petermellalieu/Teacher/Examples/Entries/2009/7/2_Case_study%3A_An_engaging_user-centred_learning_environment_designed_for_innovators%2C_creators%2C_and_entrepreneurs%3A_Enterprise_MasterWorks.html
Related video
Elements of an EMW learning adventure. (2011). . Palmerston North, NZ: Massey University Television Production Centre. Retrieved from http://www.youtube.com/watch?v=FYya4gfcxs4&feature=youtube_gdata_player
Evaluative questioning as a risk management tactic whilst innovating in teaching practice. (2011). . Palmerston North, NZ: Massey University Television Production Centre. Retrieved from http://www.youtube.com/watch?v=gn_49OEpjhs&feature=youtube_gdata_player

Do you find on your TV that people’s lips move after you have heard the words spoken? This is the lip-sync problem. There are several causes, and several solutions.
The video demonstrates the lip sync problem and presents a solution based on using a modestly-priced little brown box. First, I present several experiments that demonstrate the lip sync problem. Next, I show the solution I implemented and several confirmation checks. After the demonstration I explain why the solution achieves its results. Watch the demonstration lipsync error video on YouTube here: http://www.youtube.com/watch?v=LTgC4J3UPgs
To conduct the experiments, I replay the same piece of video material from a digital video recorder (MySky HD) to the television (Samsung LED) and stereo amplifier system (Denon 500 PMA). A series of figures shows the equipment set-up for each demonstration. I located a home video camera in front of the TV to record what I saw and what I heard. The video image is not great! However, the video image is sufficient to observe the lip sync problem and the effectiveness of the solution.
Explanation
Why does the solution work? The modern digital TV requires around 50 - 200 milliseconds to process the digital data it receives from a signal source, and display the image on the LED screen. There are many reasons for this delay. (See LCD Input Lag / Video Delay measurement ) The traditional analogue TV appears not to have possessed this delay ‘feature’ to a level that is noticeable. Furthermore, the higher quality image, and/or larger size of modern TVs renders the problem more apparent. Consequently, if you route the sound output from your signal source - such as a digital video recorder - to your hi-fi stereo amplifier system, you hear the sound BEFORE the digital TV has processed and presented the image. 200 milliseconds is ⅕ th of a second. That is a very small time period. However, the problem it caused was noticeable immediately to me when I upgraded from our 1980s vintage television earlier this year to a Samsung LED TV. You will see and hear the delay in the demonstration video, Experiments 1, and 2.
Fortunately, my Samsung digital TV provides an optical digital audio output that appears to be synchronized closely with the delayed TV image. Consequently, to solve the problem, you must take the digital audio signal output from the TV into your hi-fi stereo system. I credit the MySky technician who installed the MySky High Definition digital recorder for that solution strategy.
Experiment 3 shows how the audio signal broadcast from the TV is more closely synchronized with the video image … However, the sound quality is rather unacceptable since it is produced from small 2 x 10 Watt speakers in the TV, rather than my 2 x 130 Watt Denon hi-fi with KEF speakers! My hi-fi is a classic 1980s vintage Denon 500 PMA hi-fi amplifier. Consequently, the Denon amp accepts only analogue audio input, via RCA cables. Rather than purchase a new digital surround-sound hi-fi system, I wished to retain this vintage legacy system for several reasons. The Denon is not broken. It sound great. Furthermore, it provides a key component of the method I use to converting my vinyl LP collection into a digital format via a Zoom H4n Digital Recorder - but that’s another story.
To the rescue comes a little brown box that converts digital audio signals to analogue signals. In my case, I purchased an AC1603 Coaxial/Optical to R/L audio converter sourced via TradeMe, but ultimately supplied by Electus Distribution Pty Ltd, NSW Australia, http://www.electusdistribution.com.au. You also require a digital optical cable and an RCA Right and Left channel cable, male-male connectors. Connect the audio converter between the TV and your hi-fi system. The video segment ‘Solution’ demonstrates the functioning of the digital-audio converter, and shows better synchronization between what you see (the lips) and hear. The ‘Check’ demonstration shows sound broadcast through both the TV and hi-fi. There is a much reduced, but acceptable delay between the two sound sources.
Image via Wikipedia
A comprehensive solution
Once you have this system installed, you should reroute your DVD and other audio-video signals first to the TV rather than through your hi-fi system. You must route BOTH the audio and video signals to the TV, so that the audio signal is relayed back to your hi-fi system. You will then achieve better synchronization of audio and video from these additional sources when you play the sound through your hi-fi system. This set-up enabled me to connect an AppleTV. This little black box connects via digital HDMI cable to the TV, and behaves like an additional audio-visual input. Now I can surf on my TV Youtube and Flickr from the comfort of my couch, listen in highest hi-fi to my iTunes music collection, and view in brilliant colour the photo albums stored on my computer.
The AppleTV is a pure digital device. It connects only to your TV via a HDMI cable. Without the setup I describe above, I would not have been able to use the AppleTV through my hi-fi system, which would defeat much of the purpose of the AppleTV box for relaying the iTunes collection to the hi-fi. Costs Coaxial/Optical Digital to R/L audio converter $NZ 84.50 including courier postage $5.00. Digital optical cable, 2 metre, $NZ 25 including courier postage $5.00 Total: $NZ 110 If you are not so fortunate with TradeMe, you can order a solution from Australia with total cost about $150. Try http://www.converters.tv/
Technical note
We assume that there is perfect synchronization between the video and audio image recorded on the video camera. We also assume that there are no losses in synchronization during the creation of the movie from iMovie, the upload and processing by YouTube, and your viewing of the video over the internet! The demonstration works satisfactorily on my computer! I may have been slightly hyperbolic about my estimate of my TV’s video processing delay I estimated 200 milliseconds. The point is, I notice the delay, and some readers/viewers will also notice the delay. Apparently, some people can notice a delay of 40 milliseconds. Various hobbyists and gamers measure and publish the delay and a report from Stanford University report on how the delay affects peoples’ perceptions of the message presented. See Reeves & Voelker (1993), LCD HDTV Input Lag Tests, and LCD Input Lag / Video Delay measurement, (below).
IMPORTANT NOTE ABOUT VIDEO PLAYBACK VIA THE INTERNET
I have viewed the lip-sync video on YouTube. If you watch it whilst downloading, you sometimes get lip-sync failure throughout the whole video! Wait for the video to download before playing it!
Equipment used
Further reading
Delay measurement and effects LCD Input Lag / Video Delay measurement (PC & console games responsiveness) - AVForums.com. (n.d.). Retrieved November 4, 2010, from http://www.avforums.com/forums/lcd-led-lcd-tvs/612503-lcd-input-lag-video-delay-measurement-pc-console-games-responsiveness.html
LCD HDTV Input Lag Tests. (2008, September 8). ARogan. Retrieved November 18, 2010, from http://blog.arogan.com/2008/09/lcd-hdtv-input-lag-tests.html Reeves, B., & Voelker, D. (1993, October).
Effects of Audio-Video Asynchrony on Viewer’s Memory, Evaluation of Content and Detection Ability - Research Report Prepared for Pixel Instruments. Stanford University. Retrieved 18 November, 2010, from http://www.lipfix.com/file/doc/stanfordresearch.pdf
More advanced solutions: Audio delay boxes In some cases the miss-match between audio and video signal originates in the source signals. For instance, DVD audio tracks may be out of sync with the video track. In these cases, more sophisticated solutions are available. An audio delay box can be used to match the audio and video signals whatever and whenever the source is transmitted. These are rather more expensive solutions. For example, see AD-100 Audio Delay Box. (n.d.). Retrieved November 4, 2010, from http://www.datavideo.us/products/tbcs-and-audio-delay/ad-100-audio-delay-box.html
Lip-Sync Error Technical Details. (n.d.). . Retrieved November 18, 2010, from http://www.lipfix.com/technical_details.html
Lip-Sync Error? Felston DD740. (n.d.). . Retrieved November 4, 2010, from http://www.lipfix.com/lip_sync_error.html
Lip Sync Error Fix. Digital Audio Delay - Plasma TV, LCD, DLP - Felston. (n.d.). Retrieved November 4, 2010, from http://www.felston.com/ An intermediate-price solution uses a standard digital audio effects processor. Not quite so user-friendly to use as the Felston approach. Possible cheap lip sync solution (for non lip sync equipped AV amps) -
AVForums.com. (n.d.). Retrieved November 4, 2010, from http://www.avforums.com/forums/av-amplifiers-receivers/379273-possible-cheap-lip-sync-solution-non-lip-sync-equipped-av-amps.html
BEHRINGER: FEX800. (n.d.). Retrieved November 4, 2010, from http://www.behringer.com/EN/Products/FEX800.aspx
Digital to analogue audio converters
HDTV, DVI, HDMI, VGA, PAL, NTSC, CGA, EGA, RGB Video Scan Converters Sales. (n.d.). Retrieved November 11, 2010, from http://www.converters.tv/
Digital to Analog Decoder, Converts digital Audio to analog audio, Gefen TV GTV-DD-2AA. (n.d.). Retrieved November 4, 2010, from http://www.ramelectronics.net/audio-video/audio-converters-extenders/analog-to-digital-digital-to-analog/digital-to-analog-decoder-gtv-dd-2-aa/prodGTVDD2AA.html
GefenTV+Digital+Audio++to+Analog+Adapter. (n.d.). . Retrieved November 4, 2010, from http://www.gefen.com/gefentv/gtvproduct.jsp?prod_id=5279